Ellicia Clayton (Ellie X) [she/her] is a graduate from The University of the Arts, where she received a BFA in Dance under the direction of Dona Faye Burchfield, May, 2020. Clayton’s recent notable work and appearances include being a company member for MADC, Choreographer for The Winnipesaukee Playhouse's Once on This Island, Vanguard Theater Company’s Tuck Everlasting, Opera Philadelphia’s Rigoletto, and Prince George's County’s 40th annual Choreography showcase. As a black woman, Clayton finds it necessary to continue using her artistry to shed light on underrepresented topics pertaining, but not limited to, narratives centered around BIPOC bodies and BIPOC experiences.
Solenn Etienne (she/her) was born in Guadeloupe, surrounded by her generous Caribbean culture. As a result, she inherited a profound, yet pure connection to nature and spirituality.
Attracted by the vibrating energy of New York City, she then joined the Ailey School in 2021 and graduated in May 2024.
Solenn learned repertory from Hofesh Shechter company, Martha Graham company, Cleo Parker Robinson Ensemble, and worked with choreographers such as Juliano Nunes, Ronald K. Brown, Norbert De La Cruz, and Petra Zanki.
Solenn is a current member of MODArts Dance Collective and aspires to evolve and to assert herself in the modern dance world by freeing her unique expression while transcending her physical limits.
Mireille Lorenzo (she/her) is a graduate scholarship student from The Ailey School. She was born and raised in the Philippines and has been dancing ballet since the age of 6 at Dance Theater Manille, Philippines, in affiliation with The Australian Conservatoire of Ballet, Melbourne. She is currently a dancer with the Nai Ni Chen Dance Company and the iKADA Contemporary Dance Company. Mireille is a teaching assistant for the Junior Division at The Ailey School.
Shakerah McDowell (she/her) is a Philadelphia native who began early dance training at Bodies In Motion. Since exploring her passion for dance, she has danced with several companies, including Eleone Connections, Creative Reactions, and CAPA. After graduating as a Dance Captain under the direction of Ladeva Davis, she went on to earn a certificate from The Ailey School. During her time at Ailey, she worked with esteemed choreographers such as Bradley Shelver, Amy Hall, Hollie Wright, and Patrick Coker. Shakerah was given the opportunity to perform at the 2022 Ailey Spirit Gala. Afterwards, she began working professionally with Mathew Westerby Company 2 and Torch Dance Theater, where she taught Movement to preschool- and school-aged kids. Shakerah began her journey with MODArts Dance Collective (MADC) in 2024. Since joining MADC, she has been able to cultivate her movement artistically and hopes to continue her journey in the upcoming season.
Lauren Mueller (she/her) is a DC/NYC-based dance artist, choreographer, and teaching artist. Lauren is a company artist with MODArts Dance Collective, a Harlem-based modern dance company performing works around NYC by Artistic Director Leah Tubbs. She graduated with her BFA in Dance in 2024 at the University of the Arts (UArts) under the direction of Donna Faye Burchfield. At UArts, Lauren trained with renowned artists including Kim Bears-Bailey, Michael Sheridan, Tommie-Waheed Evans, Wayne St. David, Mark Caserta, Gary Jeter, and Courtney Henry. She has performed in various works at UArts: How to Kill a Ghost by Juel D. Lane, assisted by Gabrielle Loren (2023), Vespers by Ulysses Dove, staged by Alfred Dove and Kim Bears-Bailey (2022), and D-Man in the Waters by Bill T Jones, staged by Shayla-Vie Jenkins and James McGinn (2022). Passionate about giving back to her community, Lauren taught ballet at the Dance Institute of Washington in Washington DC and hosted master classes in heels as well as Horton tutoring sessions at her university. Lauren studied abroad at the Jerusalem Academy of Music and Dance in Jerusalem, training with Alexander Alexandrov, Mate Moray, Shlomit Fundaminsky, and performing in works by Noa Zuk. Lauren was a company member with Eleone Dance Theater (2021-22) in Philadelphia, PA, where she performed in multiple works, including the principal role, Mary, in the company’s annual performance “Carols of Color” (2022).
Toni Owens (she/her), originally from West Palm Beach, FL, began her professional training at A.W Dreyfoos School of the Arts and graduated in 2018. She then attended the Ailey School Certificate Program as a member of the Ailey Student Performance Group under the direction of Freddie Moore and performed works by Alvin Ailey, Jessica Castro, Amy Hall Garner, Patrick Coker, and Hollie Wright. She had the opportunity to perform with Alvin Ailey American Dance Theatre in Alvin Ailey’s Memoria during the 2021 New York City Center Season and Robert Battle’s Awakening at the 2022 Ailey Spirit Gala at Lincoln Center. After graduating, she became a company artist at MODArts Dance Collective under the artistic direction of Leah Tubbs and is currently in her third season with Jamel Gaines Creative Outlet. She has had the opportunity to perform and work with Jamel Gaines, Christopher Huggins, Kevin Iega Jeff, and Thera Ward. She has also had the privilege of performing works by Yaa Samar, Will Ervin Jr., Walter Rutledge, Kathy Sledge, and Leah Tubbs. Toni is also currently working with Petra Zanki on a new work: “Till It Tears Us Apart,” which premiered in December. Toni is a freelance artist based in New York who continues to explore the different avenues of dance and her artistry.
Shaun Tubbs (he, him), an Ohio native, holds both a Bachelor's (Wright State University) and a Master's of Fine Arts (The University of Texas at Austin) in Acting. He has an extensive background working for arts and academic organizations. As well as a great deal of experience in several administrative and programming roles. Shaun has worked with such programs and organizations as the Dayton Contemporary Dance Company’s (DCDC) Jeraldyne School of Dance, serving as the lead administrator of the school and Residential Coordinator of the American Ballet Theatre (ABT) Texas location summer intensive, just to name a few. Some of the work Shaun has done as an actor and director include: REGIONAL THEATRE: The Book of Grace (Zach Scott Theatre), The Tempest, An Ideal Husband, Macbeth (Austin Shakespeare Theatre), A Brief Narrative of an Extraordinary Birth of Rabbits (Salvage Vanguard Theatre), Crossing America (Kirk Douglas Theatre), Lobby Hero (Ensemble Theatre of Santa Barbara), Boys Next Door (Whitmore Lindley Theatre), Jitney (Human Race Theatre Company). OTHER THEATRE: The Red Box, Pride and Prejudice, A Midsummer Night’s Dream, Bad Penny, The Shadow Box, Elephants' Graveyard, and Don Juan In Hell (The University of Texas at Austin); The Laramie Project and Our Country’s Good (Wright State University). Shaun is the Visiting Assistant Professor of Directing at the University of Albany. Shaun is extremely proud to be a part of the growth and vision of MODArts Dance Collective, which strives to create a rich performative dialogue through the power and multifaceted art form of dance.
Leah Tubbs (she, her) was reared by Craig & Harriette Smiley in Birmingham, AL, the birthplace of the Civil Rights Movement. Being the child of two educators, her parents exposed her to museums, theatre, and live music. She saw the Alabama Ballet’s production of The Nutcracker as a three year old and began dancing after seeing the only African American female dancer in the company that had almond-hued skin and black natural hair just like hers. Her technical and artistic foundation was honed as a Dance major at Alabama School of Fine Arts (ASFA) and the University of Alabama at Tuscaloosa. She transitioned from a student into a professional artist working with Dayton Contemporary Dance Second Company (DCdC2), Cleveland Contemporary Dance Theatre (CCDT), Lula Washington Dance Theatre, Project 21 Dance, Louise Reichlin & Dancers, Donna Sternberg and Dancers, Jazz Ain’t Dead, and The Zifadanz Group.
As Leah worked as a dance artist, she was inspired to share her love for dance with others as a teaching artist and arts educator. She has exposed people of all ages and levels to the admiration of dance at private and public schools, dance schools, non-profit dance organizations, and summer dance intensives such as Jeraldyn’s School of the Dance (the official school of DCDC and DCdC2), Young Audiences of Greater Cleveland, Lula Washington Dance School, Alabama School of Fine Arts (ASFA), Tapestry Dance Company and Academy, and Joffrey Ballet School. She currently edifies budding movers as a teaching artist at Pentacle and Cultured Movement, Inc. As an arts educator, she finds joy in creating dance curriculum for educational institutions such as Texas Empowerment Academy, Mt. Pleasant Christian Academy International, & Ifetayo Cultural Arts Academy, Inc.
Leah has had the great opportunity to combine her love for teaching and instilling the cultural and historical aspects of dance as an artist-in-residence at University of Alabama at Birmingham’s ArtPlay, Ramsey High School-Birmingham, AL, Contemporary South Dance Company’s Summer Dance Intensive-Jasper, AL, and Birmingham Sister Cities- Accra, Ghana.
Leah was presented with the chance to build a predominantly black dance company during her time in Austin, TX, and Ballet Afrique was established with founding director China Smith. Leah began to sculpt her artistic voice through choreography, create new work for various dance companies, and present her work at numerous dance festivals and showcases. During her tenure as artistic director, Leah realized that she wanted to be of service to artists of color, especially women of color, by providing vehicles for them to be seen and heard as her legacy. MODArts Dance Collective (MADC) was born on July 23, 2011, by Leah & Shaun Tubbs to hold space for Black, Indigenous, and People of Color (BIPOC) artists through its choreographic work, two festivals with accompanying residencies, solo concerts, and workshops. MADC provides open, supportive spaces for BIPOC communities to heal, commune, and be their unapologetic selves while making dance accessible to celebrate and honor the beautiful histories & cultures of the African diaspora.
Her choreographic experience outside of MADC includes Union Avenue Opera’s Ragtime, Des Moines Metro Opera’s American Apollo, University of Albany's production of Richard O’Brien’s Rocky Horror Show, and Melissa Maxwell's Salt in a Wound.
Harriette P. Smiley, Board Secretary
Brittany Wilson, Board Chair
Malaika Holder, Board Member